There have always been two sides to Mike Rosenberg, aka Passenger: the epic, radio-friendly sound represented by his international number one single, Let Her Go, and his UK number one album, Young As The Morning, Old As The Sea (2016), and the more introverted, singer-songwriter side heard, for instance, on Whispers II (2015) and The Boy Who Cried Wolf (2017).

Runaway, the new album, finds Passenger embracing the epic once again: the melodies are unforgettable, the choruses colossal. These are songs you are going to hear on the radio. ‘Some see pop as a dirty word,’ says Rosenberg, ‘but it just means the melody is catchy. Well, my favourite songs that have ever been written are catchy.’